"I've never been all night anywhere but my own house," I said.
"Now you have."
"I'm going to have to explain it."
"Not to me."
"My mother, I meant. My father."
"If we walk right up to your house hand in hand, stand right in the kitchen and ask for breakfast together, I bet they'll get the hint."
It seems the unchanging inflexibility of life in Witless Bay is a motivator, primarily for the women in this book, to seek, or inspire, change in the men in their lives. Both Margaret and Fabian's mother, Alaric (his father is Orkney; odd names are a staple of life here), end up sleeping with the menacing lighthouse keeper Botho August. Their motivations for doing so are intertwined; Alaric is dissatisfied with her married life and Margaret is dissatisfied with Fabian, who has, essentially by providing no resistance, agreed with a marriage to his cousin (who he has never met) set up by his parents. Alaric is not fond of Margaret.
The result of all this is a murder, the breakup of a family, the beginning of an outlaw legend, and the growing up of Fabian. And the making of an artist. This is a decidedly peculiar book; I have reread it several times, just for sheer enjoyment. Margaret is an odd, at time frustrating, but always interesting character, as is Orkney, who seems to find himself in a most unconventional way.
Howard Norman has written 2 other books that I have read, The Museum Guard and The Haunting of L. Both take place in early 20th century Canada and include similar themes to The Bird Artist. While I was less taken with them, they are both excellent.
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